{"id":1327,"date":"2017-06-01T12:55:16","date_gmt":"2017-06-01T11:55:16","guid":{"rendered":"http:\/\/studiodust.nl\/?p=1327"},"modified":"2017-09-15T11:25:50","modified_gmt":"2017-09-15T10:25:50","slug":"1327","status":"publish","type":"post","link":"https:\/\/studiodust.nl\/?p=1327","title":{"rendered":"2.7 PEDAGOGICAL FRAMEWORK"},"content":{"rendered":"<pre><a href=\"http:\/\/studiodust.nl\/?p=1333\"><strong>&gt;&gt;&gt; NEXT CHAPTER<\/strong><\/a> <a href=\"http:\/\/studiodust.nl\/?p=1323\">&lt;&lt;&lt;PREVIOUS PAGE<\/a> &gt;<a href=\"http:\/\/studiodust.nl\/?p=1201\">TABLE OF CONTENTS&lt;<\/a><\/pre>\n<p><span style=\"color: #808000;\"><strong>2.7 PEDAGOGICAL FRAMEWORK<\/strong><\/span><\/p>\n<p>These circumstances surrounding the new practice of a designer who assumes the role of a Pro-Am within the setting of a city lab concerning ecological problems have a consequence for the pedagogical framework within design education.<\/p>\n<p>Before answering the question of what this \u2018critical framework\u2019 is and its implications, there first needs to be an understanding of how to educate designers for this changing new practice.<\/p>\n<p><span style=\"color: #808000;\">TRAINED TO BE EXPERTS<br \/>\n<\/span>The notion of \u2018Pro-Ams\u2019 vs. multidisciplinary is relevant in the context of education. As Verweij stated, that designers shouldn\u2019t be educated as multidisciplinary designers, because otherwise it will hollow out the design profession itself is a true point. The designer is able to relate to these wicked problems because they are educated to be professional designers (specific experts in their knowledge field), including expert knowledge with regard to ecology. Future designers should be educated as professionals with ecology in their DNA.<\/p>\n<p><span style=\"color: #808000;\">LAB AS A PLACE FOR LEARNING<\/span><br \/>\nIn order to adapt to the changing practice, students need to \u2018learn\u2019 how to become &#8216;Pro-Am&#8217;<em>. <\/em>With regard to this research, Buckminster Fuller is an inspiration. In his view on education in the 1960s, \u2018experience\u2019 played a central role and could accelerate inventions that generated a sustainable future. He talked in \u2018Education Automation\u2019 (1962) about the innate capabilities humans have to learn and experiment in order to gain knowledge. Having a love (amator) for a topic is an innate capability we as humans have and nurture. This innate capacity gets lost in design education. Fuller was connecting information\/knowledge to a wide audience (lovers\/amateurs). A networked society could easily share information and create an increasing amount of knowledge, then connect this to academic education. This could accelerate inventions regarding ecology. He described the potential towards ecological issues as the fluid situation where the \u2018world\u2019 and the \u2018academy\u2019 merge into each other.<\/p>\n<p>Ranci\u00e8re called the situation of learning outside the institutional framework \u2018universal teaching\u2019. He argued that if the \u2018ignorant\u2019 is &#8220;emancipated, he could conduct the education of his children, without the aid of any master explicator and\u2014one could teach what one didn\u2019t know.\u201d (Ranci\u00e8re 1991, p.15-18) This \u2018universal teaching\u2019 is needed in order to create the urgently needed unique individual knowledge where the \u2018learned\u2019 and \u2018the ignorant\u2019 are equally valued.<\/p>\n<p>Learning networks (city labs) can be considered as learning outside the institution and have the pedagogical framework of &#8216;universal teaching\u2019. However, in order to allow students to have this as a canvas, they need to be \u2018emancipated\u2019. This \u2018emancipation\u2019 could be implemented in a critical framework and applied within design education.<\/p>\n<p><a href=\"http:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1374\" src=\"http:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140.jpg\" alt=\"\" width=\"3264\" height=\"2448\" srcset=\"https:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140.jpg 3264w, https:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140-300x225.jpg 300w, https:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140-768x576.jpg 768w, https:\/\/studiodust.nl\/wp-content\/uploads\/2017\/06\/IMG_20170520_160140-1024x768.jpg 1024w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/a><br \/>\n<span style=\"color: #999999;\">Education constructs Experts. City Labs facilitate becoming a Pro-Am in a new field of interest through experience-based learning to. Drawing Piscaer May 2017<\/span><\/p>\n<p><span style=\"color: #808000;\">CONCLUSION<\/span><br \/>\nThe academy should educate for expert designers with an ecological mind-set in their DNA. In addition, it requires adding a fluid boundary between the academy and \u2018the outside world\u2019. This means opening up the academy to \u2018the others\u2019 and actively facilitating students to go and experience \u2018in the world\u2019 within a setting of a lab. It creates a canvas for \u2018universal teaching\u2019. The academy should play a vital role in creating learning networks \/labs in co-creation with society. The academy should incorporate a critical framework into its curriculum.<\/p>\n<p><strong><br \/>\n<\/strong><\/p>\n<pre><a href=\"http:\/\/studiodust.nl\/?p=1333\"><strong>&gt;&gt;&gt; NEXT CHAPTER<\/strong><\/a> <a href=\"http:\/\/studiodust.nl\/?p=1323\">&lt;&lt;&lt;PREVIOUS PAGE<\/a> &gt;<a href=\"http:\/\/studiodust.nl\/?p=1201\">TABLE OF CONTENTS&lt;<\/a><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>&gt;&gt;&gt; NEXT CHAPTER &lt;&lt;&lt;PREVIOUS PAGE &gt;TABLE OF CONTENTS&lt; 2.7 PEDAGOGICAL FRAMEWORK These circumstances surrounding the new practice of a designer who assumes the role of a Pro-Am within the setting of a city lab concerning ecological problems have a consequence for the pedagogical framework within design education. Before answering the question of what this \u2018critical &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/studiodust.nl\/?p=1327\" class=\"more-link\">Lees verder <span class=\"screen-reader-text\">&#8220;2.7 PEDAGOGICAL FRAMEWORK&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[50],"_links":{"self":[{"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/posts\/1327"}],"collection":[{"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/studiodust.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1327"}],"version-history":[{"count":9,"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/posts\/1327\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/studiodust.nl\/index.php?rest_route=\/wp\/v2\/posts\/1327\/revisions\/1632"}],"wp:attachment":[{"href":"https:\/\/studiodust.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiodust.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiodust.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}